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Image Not Available for animal acts/attributed/fable, lessons to learn from.. 1958-1985
animal acts/attributed/fable, lessons to learn from.. 1958-1985
Image Not Available for animal acts/attributed/fable, lessons to learn from.. 1958-1985

animal acts/attributed/fable, lessons to learn from.. 1958-1985

Creator Jayce Salloum (Canadian, born 1958)
Date1985
Mediumcollage (found encyclopedia images)
DimensionsOverall: 40.8 × 48.4 cm (16 1/16 × 19 1/16 in.)
Credit LineGift of Jayce Salloum, 2021
Object number2021/305.1
LocationNot currently on display

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Image Not Available for “The Ascent of Man..” Part I: Silent Running, Part I: Appendix, Part II: Conditions of Mercy, Part III: Acts of Consumption
“The Ascent of Man..” Part I: Silent Running, Part I: Appendix, Part II: Conditions of Mercy, Part III: Acts of Consumption
Jayce Salloum
1985-1987
Video
Image Not Available for regarding, from 'looking cluster', buddhas' cave site, Bamiyan, Afghanistan, (from: the heart that has no love/ pain/generosity is not a heart (fragments)], 4/16/08 [DSCF2865]
regarding, from 'looking cluster', buddhas' cave site, Bamiyan, Afghanistan, (from: the heart that has no love/ pain/generosity is not a heart (fragments)], 4/16/08 [DSCF2865]
Jayce Salloum
2008
Photograph
Image Not Available for 48 separation What are are we looking at through out a direction (or) focus. in-between the street the produce what exemplifies the notion that of inclusion, which is in the picture what is seen allowed to be seen Sanaya/Sanayeh Park and produce vendors (from inside of the Fiat 1800 or a taxi), up from Hamra, Beirut, 1992.
48 separation What are are we looking at through out a direction (or) focus. in-between the street the produce what exemplifies the notion that of inclusion, which is in the picture what is seen allowed to be seen Sanaya/Sanayeh Park and produce vendors (from inside of the Fiat 1800 or a taxi), up from Hamra, Beirut, 1992.
Jayce Salloum
1992
Photograph
Image Not Available for capital creates and people usurp, from before then to after now – can we stop it/us yet and after and forever – slave shackles and other bounded enslaving control torture devices, metal implements what (in)human things humans do, stolen lives and generations, bare our base potential, Museo Provincial Ignacio Agramonte, Camaguey, Cuba, 1/4/17 [DSC0352]
capital creates and people usurp, from before then to after now – can we stop it/us yet and after and forever – slave shackles and other bounded enslaving control torture devices, metal implements what (in)human things humans do, stolen lives and generations, bare our base potential, Museo Provincial Ignacio Agramonte, Camaguey, Cuba, 1/4/17 [DSC0352]
Jayce Salloum
2019
Photograph
Image Not Available for demarcating – fields of windswept dryness, pungent spring near to come, funerary markers beyond, from: ‘flags cluster’: the heart that has no long/pain/generosity is not a heart (fragments), between Kabul & Bamiyan, Afghanistan, 4/22/08 [DSCF4046]
demarcating – fields of windswept dryness, pungent spring near to come, funerary markers beyond, from: ‘flags cluster’: the heart that has no long/pain/generosity is not a heart (fragments), between Kabul & Bamiyan, Afghanistan, 4/22/08 [DSCF4046]
Jayce Salloum
2019
Photograph
Image Not Available for wrapped, piles/fragments/ruins, some that is left of the buddhist statues (constructed 100-490AD), bodily discarded (destroyed by Taliban, March 2001), pieces protected/sheltered, torn, {saved for possible reconstruction @ $45-50 million each} at the caves site, Bamiyan, Hazarajat, Afghanistan, 4/16/08 [DSCF3081] from the heart that has no love/pain/generosity is not a heart (fragments), 2008-2010
wrapped, piles/fragments/ruins, some that is left of the buddhist statues (constructed 100-490AD), bodily discarded (destroyed by Taliban, March 2001), pieces protected/sheltered, torn, {saved for possible reconstruction @ $45-50 million each} at the caves site, Bamiyan, Hazarajat, Afghanistan, 4/16/08 [DSCF3081] from the heart that has no love/pain/generosity is not a heart (fragments), 2008-2010
Jayce Salloum
2008
Photograph
Image Not Available for 5 at what was once one of the few crossing points during the ‘events’, (happenings, occurrences... the ‘war’); Mathaf: فحتم /Place du Musée/ the ‘museum crossing’, across from La tombe du Soldat Inconnu/The Tomb of the Unknown Soldier/ لوهجلما يدنجلا ربق, ( Corniche El Mazra/Rue Damas) Beirut, 1992.
5 at what was once one of the few crossing points during the ‘events’, (happenings, occurrences... the ‘war’); Mathaf: فحتم /Place du Musée/ the ‘museum crossing’, across from La tombe du Soldat Inconnu/The Tomb of the Unknown Soldier/ لوهجلما يدنجلا ربق, ( Corniche El Mazra/Rue Damas) Beirut, 1992.
Jayce Salloum
1992
Photograph
Image Not Available for are we all here, to each an arrival, National Museum of Prehistory, Taitung, Taiwan, 1/25/18 [DSC6672]
are we all here, to each an arrival, National Museum of Prehistory, Taitung, Taiwan, 1/25/18 [DSC6672]
Jayce Salloum
2019
Photograph
Image Not Available for afterwards, by the side of the highway returning to Kabul, Afghanistan, 4/23/08 [DSCF4355_2]
afterwards, by the side of the highway returning to Kabul, Afghanistan, 4/23/08 [DSCF4355_2]
Jayce Salloum
2019
Photograph
Image Not Available for looking for Syria.. Palestine, Iraq, Lebanon, Libya, Iran, Tunisia, Algeria, Morocco, et al, Pergamon Museum, Berlin, Germany, 3/1/17 [DSC2011_3]
looking for Syria.. Palestine, Iraq, Lebanon, Libya, Iran, Tunisia, Algeria, Morocco, et al, Pergamon Museum, Berlin, Germany, 3/1/17 [DSC2011_3]
Jayce Salloum
2019
Photograph
Image Not Available for days of destruction, over history, K strolling through the centre, bourg, Beirut, 11/23/15 [DSC1836_2.5]
days of destruction, over history, K strolling through the centre, bourg, Beirut, 11/23/15 [DSC1836_2.5]
Jayce Salloum
2019
Photograph
Image Not Available for shattered origins, sources, just as the city was built by slaves, K, Museo Casa de África, Havana, Cuba, 12/22/16 [DSC8987]
shattered origins, sources, just as the city was built by slaves, K, Museo Casa de África, Havana, Cuba, 12/22/16 [DSC8987]
Jayce Salloum
2019
Photograph
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